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Stripped-down 'Lear' an overall success

“Lear” by Bag&Baggage Productions is a somewhat radical adaptation of Shakespeare’s renowned tragedy, “King Lear.” by: COURTESY PHOTO: CASEY CAMPBELL PHOTOGRAPHY - Kevin Connell plays Lear, Benjamin Farmer plays Perillus, Stephanie Leppert plays Cordelia, Rebecca Ridenour as Goneril and Jessi Walters as Regan in a dramatic scene in this adapted family drama.

From our perspective, artistic director Scott Palmer has done the world a great service by stripping the Bard’s work down from 20 characters (not counting servants, knights and assorted hangers-on) to a cast of five. Even more commendable is his stripping away of sub-plots and intrigues that may have been of interest to an Elizabethan audience, but serve to obscure the central themes.

Our only real complaint is that Palmer did not go far enough. His story incorporates elements of several versions of the Lear story. In synthesizing the various sources, while retaining the Elizabethan language, Palmer occasionally lost us: Did Perillus — roughly analogous to the Earl of Kent in Shakespeare’s version — direct Lear to Dover to rendezvous with the King of France, or to hurl himself off the White Cliffs? Were both Cordelia and Perillus at various times donning masks to disguise themselves, even though Perillus had not, to all appearances, been banished?

We — and perhaps other clueless audience members — would have benefited from a bit of additional dialogue to answer questions like these.

That said, the production is a powerhouse of innovative yet traditional theater. The set is simple and beautiful — diaphanous, colorful hanging shreds of curtain evoking the elegance and decay of Lear’s kingdom. The lighting design similarly accents the tale — at times creating a castle interior, at other times an eerie, storm-tossed heath.

Rather than waiting through prolonged, dark scene changes, audience members are allowed to focus on the story and use their imaginations to create appropriate backgrounds.

The original musical score, performed live by composer Tylor Neist, enhances the show’s most dramatic moments without unduly distracting.

Despite our occasional confusion about minor details, the play’s themes are made crystal clear by the exceptional actors.

Kevin Connell, playing Lear, delivers a moving performance as he descends from arrogant familial and royal despot to pathetic, broken madman. Despite the uniformly intense emotional level of the role, he modulates his delivery enough to avoid the sins of overacting.

Rebecca Ridenour is convincing as the hypocritical and devious, but ultimately repentant, eldest daughter Goneril. She demonstrates sincere horror when sister Regan, played by Jessi Walters, violently disfigures Perillus. Walters is every father’s nightmare — greedy, vicious and completely heartless. She uses her powerful voice and stark facial expressions to convey the unfathomable evil of her character. Stephanie Leppert, Cordelia, combines sweetness, honesty, loyalty and self-confidence to portray a young woman of unparalleled strength and courage.

Like Cordelia, Lear’s manservant Perillus, played by Benjamin Farmer, clearly has his master’s best interests at heart throughout. Ironically, it is traitorous daughter Regan who punishes him for his alleged treason. Both Farmer and Leppert bring skillfully nuanced delivery to their emotionally complex roles.

Once again, Bag&Baggage is bringing challenging and groundbreaking theater to the stage.

The show is at Hillsboro’s Venetian Theatre, 253 E. Main St., through March 23, with performances Thursdays, Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m.



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